The Feast Day of Julian of Norwich

Today is the feast day of Julian of Norwich, at least for Lutherans, Episcopalians, and Anglicans; Catholics will celebrate on May 13.  I thought of her today as I maneuvered around my tiny writing space, my grandfather's desk wedged in between house remodeling supplies and tools, a drying rack, and the contents of a closet that's under reconstruction.  Of course, once I get around the desk, I have significantly more space than Julian of Norwich did, in her small cell off of a cathedral, where she was an anchoress, a type of monastic.

I've been interested in Julian of Norwich for a long time.  When I first started teaching the British Literature survey class in 1992, the Norton Anthology had just added her to the text used in so many survey classes.  Why had I not heard of her before?  After all, she was the first woman writing in English, at least the first one whose writing we still have.

My students and I found her writing strange, and I found her ideas compelling.  She had a series of visions, which she wrote down, and spent her life elaborating upon. She wrote about Christ as a mother--what a bold move! After all, Christ is the only one of the Trinity with a definite gender. She also stressed God is both mother and father. Here in the 21st century, we're still arguing about gender and Julian of Norwich explodes the gender binary and gives us a vision of God the Mother, God the Wife--and it's not the Virgin Mary, whom she also sees in her visions.

Her visions showed her that God is love and compassion, an important message during the time of the Black Death.  She is probably most famous for this quote, "All shall be well, and all shall be well, and all manner of things shall be well," which she claimed that God said to her. It certainly sounds like the God that I know too.

Although she was a medieval mystic, her work seems fresh and current, even these many centuries later. How many writers can make such a claim?

A few years ago, I read her complete works, which I didn't enjoy as much as I thought I would.  The writing seemed circular, coming back to many ideas again and again, with lots of emphasis on the crucified, bleeding Jesus, lots of focus on suffering and sin. The excerpts that most of us read, if we read her at all, are plenty good enough.  I was both disappointed to discover that, and yet happy.

Not for the first time, I wonder what's been lost to history in terms of writing. If she was thinking about some of these explosive ideas, might others have been even more radical? What happened to them?

I'm grateful that we have her work--at least there's something that gives us a window into the medieval mind, which was more expansive than we usually give credit for.  And I'm grateful that so many people have discovered her in the decades since the Norton Anthology first included her.